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Christina Baker Kline

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July 16, 2010 By bakerkline

Great Writing

Justin Kramon didn’t think he was qualified to call himself a writer. And then he thought about his favorite books, and had a change of heart:

For some reason, I used to have the perception that writers should be interesting, well-rounded, generally knowledgeable people. I got this idea before I’d met any writers, and certainly before I started trying to become one. In fact, my perception of writers was a big obstacle to writing, because – and I have to be completely honest here – I’m not that interesting, am poorly rounded, and most of what I have to offer in the way of knowledge concerns the time it takes to heat various foods in the microwave.

A few years ago, I’d started working on a novel, but it hadn’t come alive. The voice was wooden and the characters seemed predictable, too polite with each other. It was like watching my novel through a window. I wanted to get in there and tickle everyone.

The problem, I realized, was that I wanted to be a good writer. I wanted to sound like the writers everyone had been telling me were great writers, the best writers, the important writers. A lot of these writers happened to be men, and happened to write in wise, commanding, and slightly formal styles. Reading them made me feel like a slow runner in sixth-grade gym, sweating and hyperventalating while everyone else rushed by. They were doing something I could never do, that I wasn’t built to do.

But these great writers were not actually the writers I most enjoyed reading. Picking up their books was more of a responsibility than a pleasure. The writers I loved, the writers who had meant most to me, who had entertained me and stuck with me and let me lose myself in their books – this was a completely different list.

So one morning, when I couldn’t face my own fledgling novel, I decided to make a list of writers I loved. One of the writers that immediately jumped to mind was Alice Adams, who died in the late-1990’s and unfairly seems to have fallen off the map. She wrote some of the most entertaining and insightful books I’ve read, including the novel Superior Women and a story collection called To See You Again. I can’t think of many writers I’d rather sit down and read than Alice Adams. Her books are so absorbing that I feel like I’m reading gossip from a close friend, about people I actually know, except the writing is so much funnier and clearer and more beautiful than any gossip I’ve ever read. John Irving is another one. I love his intricate plots, the slightly larger-than-life characters, the comic set pieces, and the sense of bigness and adventure in all his novels. I think of Irving’s books, as I do of Charles Dickens’s, as treasure chests of ideas and characters and funny moments.

Making this list helped me let go a little bit of the desire to be important. I realized that these are the kinds of books I want to write – books filled with unforgettable characters, books that give me an almost childlike sense of wonder. I started a new novel, Finny, with a narrator whose voice is informal, quirky, a little devilish. Finny’s voice made me laugh, and I honestly cared about her and wanted to see what would happen to her, the people she’d meet, the man she would fall in love with.

Part of the process of becoming a writer has been acknowledging my own limitations, the things I don’t know about. And also being honest: about what I like, what I enjoy, what moves me. To be truthful, I don’t enjoy research. I’m not all that interested in history, and even though I try to stay informed, I’m not ardent about politics. I don’t get a huge kick from philosophical or intellectual discussions. I’m interested in psychology, food, loss, sex, death, awkward social situations, and I’m passionate about the subject of why people are as annoying as they are. I may not win a Nobel Prize for this, but it’s the only kind of novel I can write. Making my list, I saw that what I wanted to do was write books that people love reading, that make them laugh and cry, and that allow me to bring a little of myself into the world.

Justin Kramon is the author of the novel Finny (Random House), which was published on Tuesday. Now twenty-nine years old, he lives in Philadelphia. You can find out more about Justin and contact him through his website, www.justinkramon.com. You can watch a book trailer for Finny here, and you can access Justin’s blog for writers here.


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Filed Under: Guest Blogs, Inspiration Tagged With: Alice Adams, Charles Dickens, creative process, fiction writing, Finny, Inspiration, John Irving, Justin Kramon, Superior Women, Thoughts, writing a novel

June 1, 2010 By bakerkline

Samuel Beckett on the Obligation to Express

“Someone once said, ‘If you go for the universal, you get nothing; if you go for the specific, you get the universal.’

“There is nothing to express, nothing with which to express, nothing from which to express, no power to express, no desire to express, together with the obligation to express.”

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Filed Under: Blog Tagged With: creative expression, creative process, Samuel Beckett, Thoughts

May 11, 2010 By bakerkline

Revising Nonfiction

Sometimes when you’re revising it helps to have a specific assignment.   Last week in this space I listed some exercises that my fiction-writing students find useful.  Here are some revision ideas that my memoir and journalism students particularly like:

1) Write down three adjectives (beautiful, aggressive, haughty) that describe a character in your narrative/memoir. (Be sure the adjectives describe different qualities, not the same ones.  For instance, handsome, well-groomed, muscular are too similar, as opposed to handsome, talkative, and mechanically inclined, which reveal different aspects of the character.)

Without using any of the adjectives (or synonyms), write a half-page scene or passage that shows the character engaged in action and perhaps speaking some dialogue that will suggest the selected qualities.

2) List 10 objects in your main character’s bedroom, car, living room, or other place. Make these objects as specific as possible, giving titles of books, contents of photographs, kind of junk food, etc.  Three of these objects should be connected to the story.  Using this list, write a half-page description of the character’s space, mentioning the objects or other elements of the décor (such as paint color) that will give readers clues to character.

3) Cut your story into scenes, summary, and flashbacks. Number each piece in the order in which it appears.  Then lay these pieces out on a table or floor and see what you’ve got.  How many scenes are there?  Is every scene necessary?  Can some be combined, deleted, or summarized?  Are important scenes buried in sections of summary?  Are there missing scenes?  Is the material from the past in the right places?  Try rearranging the sequence of events.  Experiment.  Move beyond fiddling with sentences to this kind of re-envisioning and rearranging.

4)  Choose a moment from your story-in-progress that could benefit from intensifying a character’s emotional or physical experience.

Focus on the place: the sights, smells, and weather.  For three minutes, free-write sensory details as rapidly as possible in present tense.  Look back and select the most striking or significant sensory details.  Look for places they might fit into the original passage.  Rewrite the opening paragraph, moving slowly, incorporating some of these details.

5) Write three different endings. Think about what is resolved and what is left unresolved with each ending.

6)  And finally — this is so obvious I hesitate to put it on the list, and yet I’m always amazed at how many of my students consider it a novel idea.  Retype at least one full draft, “making both planned and spontaneous changes as you go,” as Janet Burroway advises.  “The computer’s abilities can tempt us to a “fix-it” approach to revision, but jumping in and out of the text to correct problems can result in a revision that reads like patchwork.”

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Filed Under: Blog Tagged With: creative process, Discipline, exercises, Inspiration, Janet Burroway, revising nonfiction, revision, Thoughts

April 26, 2010 By bakerkline

Tap Dancing on the Beach

Hooray and congratulations!  It’s pub day for Debra Galant, whose new novel, Cars from a Marriage, “delivers wit, charm and characters who feel like next-door neighbors,” according to Booklist. So why does Debra feel like she’s tap dancing on the beach?

Politicians kiss babies. I take pictures of them chewing on postcards advertising my new novel, Cars from a Marriage.

I know this is neither dignified nor author-like.

Nor are a lot of things I’ve been doing in the six weeks leading up to my April 27 pub date.

I’ve become a regular in the Staples’ label aisle, because advertising postcards are nothing without labels reminding people that the book is “Perfect for Mother’s Day!” and that they might win a free iPod nano if they enter a contest by telling me their best story about love and cars.

I ambushed the New York International Auto Show in early April, handing out several hundred cards while my husband followed me around, camcorder in hand, to record my rejections Michael Moore style.

I’ve spend ungodly amounts of time on Facebook, and have searched every nook and cranny of the internet looking for every book blogger I can find and charm.

I’m doing this to keep my own spirits up because it appears that neither my publisher nor the book industry at large is particularly excited about the publication of my third novel.

My first two novels were proudly displayed at the front of Barnes & Noble stores all over the country. This one won’t be. B&N has only ordered 1,000.

It breaks my heart that a book that comes out barely two weeks before Mother’s Day – a novel that should really appeal to reading women – won’t be seen by the shoppers who might be looking for a present for their reading mothers and wives.

It breaks my heart that my parents, who were so excited by my first novel, have become so jaded by the bruising process of trying to hand-sell my books to their friends that they practically don’t want to ask anymore. And the few friends they do ask will most likely march into a Barnes & Noble, not find it, and feel that they’ve done their bit.

Sure, sure, poor me. Poor published author. I’ve actually got a novel coming out from a major New York publishing house and I’m whining. And I have the poor grace to be whining at exactly the moment when friends and relatives are coming up to me with cheerful congratulations.

But the truth is, even though my friends want me to be, I’m not excited. I’m not remotely optimistic about my book’s chances. Like Hollywood and junior high school, the book industry is increasingly dominated by a few stars, and it’s pretty obvious that I’m not one of them. What I’m feeling, at this moment on the cusp of publication, is small and inconsequential.

The irony is, when a new book comes out is when I feel least like a writer. It’s when I feel like Willy Loman.

Eventually, sometime late at night, when I least expect it, I’ll feel like a writer again. I’ll be lying in bed reading a great book, and I’ll notice a fabulous sentence or a great plot device or a marvelously unreliable narrator, and I will appreciate the sentence or the device or the narration the way a tailor would note the stitching on another tailor’s suit.

I might even write a fabulous sentence, or get an idea for a story or a novel that will thrill me. And then I’ll remember that I really am a member of a great guild and that having my words published and read by complete strangers is an honor and a privilege – maybe even a piece of immortality.

In the meantime, though, to stave off depression, I’m using every wile I have to eke out new fans. One by one by one. Handing out cards to babies, barnstorming auto shows, leaving stacks of cards at the YMCA. It feels a little like tap dancing on the beach — kicking up a lot of sand, but making no noise whatsoever.

Absurd, perhaps. Yet it does take place on a comfortingly human scale. The other day, shopping at Coldwater Creek, I made friends with two ladies in the dressing room, both teachers. We were advising each other about how we looked in various outfits and whether our fat rolls showed. One of them wondered whether I would wear a certain blouse, which was the tiniest bit sheer, to work. That’s when I dug into my purse and handed them each a postcard for Cars from a Marriage.

“I’m an author,” I said. “I have a new book coming out.”

They were delighted – just completely bowled over – to be in the presence of a real writer. And that delighted me.

Debra Galant’s new novel, Cars from a Marriage, comes out today — April 27 — from St. Martin’s Press. You can read more on her website, her blog or her Facebook page.

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Filed Under: Blog Tagged With: beginning, best-laid plans, Booklist, Cars from a Marriage, Debra Galant, fiction writing, Real Life, Thoughts, writing a novel

March 29, 2010 By bakerkline

Writing Tip #11: Don’t Listen to Hackneyed Advice

Write what you know?  On second thought …

“Creative writing teachers should be purged until every last instructor who has uttered the words ‘Write what you know’ is confined to a labor camp. Please, talented scribblers, write what you don’t. The blind guy with the funny little harp who composed The Iliad, how much combat do you think he saw?”  — P. J. O’Rourke

“It still comes as a shock to realize that I don’t write about what I know; I write in order to find out what I know.”  — Patricia Hampl

“Writing what you know ignores the whole purpose of creative writing. Writing is an act of the imagination. Good writing is generally bigger than the writer — if we only write about ‘what you know,’ our work will never be more compelling than we are.”  — Willie Davis

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Filed Under: Writing Tips Tagged With: creative process, fiction writing, Inspiration, P.J. O'Rourke, Patricia Hampl, Thoughts, Willie Davis, Write what you know, writing a novel, Writing Tips

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COMING MAY 2026: THE FOURSOME

A literary historical novel set in Civil War-era North Carolina, based on a true family story and told from the perspective of Sarah Bunker, one of two sisters who married Chang and Eng, the famous conjoined twins…learn more

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